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Kristen Wiig still can't make her eyes look interested. Then Charles Dance shows up with his serious comic tongue stuck in his cheek to admonish Prof.
Gilbert that if she is serious about tenure, she needs to find a more prestigious university recommendation. Than Princeton?
From that point on, I was in love with the story. Katie Dippold cowrote the film. She has a bit part as the real estate agent showing the team the movie's fire station to rent.
I want more of her screenwriting. The dialogue is witty, sharp, real. While I liked the Ghostbusters, it's a buddy movie. Dudes in the treehouse with no girls allowed spelled wrong nailed to the door.
Smug, chirpy, guybonics. Venkman electrocuting rivals in the lab: using paranormal research to get dates. Annie Potts drooling over Spengler.
Sigourney Weaver in a diaphanous dress, draped on a parapet waiting for the Gatekeeper. The sore spots in are sprayed away in without gender disrespect.
Gilbert gets to drool over the pretty doofus administrative assistant. When you see this movie, watch all the credits.
Chris Hemsworth is a clearly confident actor - he dives pelvis-first into the Kevin role, and it's hilarious.
I'm still searching for the creator of the titles and end credits. Excellent art. The poster? Not so much. Hemsworth needs to be behind the four leads.
Casting hit a lick with Kate McKinnon as Holzmann. She is fantastic bringing Harold Ramis' genius back to life.
Leslie Jones as Patty: so good, and she has some of the juiciest lines, delivered with haute sass. There are really well-placed cameos by 's cast, including birthing one of the movie's best lines "safety lights are for dudes.
One of the brilliant visuals that I was thrilled with - the stream from the proton packs tied up the ghosts. Wrapped, pinned, contained lassoed.
Genius analogy for what to do with obsolete stereotype. There's a lassoed line in the film while the Ghostbusters are reading the internet reaction to their first catch.
Watch this. Unfortunately this has become because of political correctness and its backlash almost impossible to rate objectively.
In the North American wish to either redo every successful film ever made and present every conceivable variant in the process, for what could be deemed the lack of any possible originality of ideas, I still tried to enter this with an open mind, and see this as if the two films from the 80's which I enjoyed very much the one time I saw each of them had never existed.
I should state I saw this in 3D which I hardly ever do , with my lady and our respective sons. I felt that it was quite funny and that the special effects were excellent.
Next to 'Avatar', the use of 3D was the best I have ever seen. It's a popcorn flick well-worth seeing. Though I haven't seen any other movies by Feig or starring McCarthy, it made me want to go back and give them a shot at some time in the near future.
There was something for everyone--both my lady and I enjoyed it very much--and the boys, three and thirteen years-old respectively, loved it as well.
Give it a shot. But to all the haters I say this: you are being very, very unfair. The s era film has a lot of boring sequences and lags quite a bit, and as is the case with many movies, sometimes our nostalgia creates pretty thick rose colored glasses.
We tend to only remember the good in our childhood favorites. When estranged childhood friends and paranormal enthusiasts Erin Kristen Wiig and Abby Melissa McCarthy reunite, sparks are rekindled and they decide to get back to their ghost chasing roots.
When Manhattan starts to experience boatloads of specter activity, the friends get started on some good old fashioned poltergeist hunting.
A big part of why this movie works is the comedic talent of these women; their chemistry is evident and they play well off each other, and the positive themes of loyalty and friendship never once feel fake.
All of the actors are proficient at physical comedy and all have impeccable timing. This feminist spin on the dumb secretary stereotype is exactly the type of lampoon I was hoping for here.
Girl power! The special effects have been given a serious upgrade as well: these ghosts look real, feel real, and are appropriately scary-yet-funny.
When the ladies first fired up their proton packs, I began cheering internally. All of you naysayers really need to lighten up because this is a really, really fun movie.
So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category.
All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.
The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick.
The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.
There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science.
The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them.
Definitely a one time watchable film, for its decent graphics, performances and some good comedies.
The movie itself was childish, unfunny, unintelligent and generally really bad. What feminism? Replacing the original actors with women is not feminism as far as I am concerned and anyway, if you care about such things should it not have been two women and two men to be politically correct?
Also, the supposedly intelligent women in this movie behave in a typical old-fashioned Hollywood stereotype of women way.
They are mostly downright silly. If I were a feminist I would actually have been insulted by this movie. Then we have the male clerk that is dummer than a piece of rock.
But since it is four women and a stupid male it is okay not really. It is even feminism according to some people. What a load of bollocks. There is actually a story in the movie although it is well hidden under the silly jokes and silly behavior.
It is paper thin and rather silly in itself but it could have worked if the rest of the movie was up to snuff but sadly it is not. As I wrote above the only good thing about this movie is the special effects.
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